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MAGICAL EYES SERIES PLUS
MAGICAL EYES SERIES SERIES

Her specialty is creating illusions and modifying the memories of the people around her with her presence. She's not, of course, and is quickly identified as a Strain, an individual with supernatural powers that were not given by a King.

Neko from K has a green right eye and blue left eye in her human form, which makes her look far from normal.

Many of them also have animal or demonic characteristics on their bodies.

In Inuyasha, the half-demons look very human, but their skin, hair and eyes often have unusual colors.

Oddly, long-time friends don't seem to notice the change.

In the manga Enchanter by Izumi Kawachi, if you become an enchanter, one of your eyes changes, turning deep red with a pinpoint pupil.

Wakaba has an orange right eye and a brown left eye.

In Descendants of Darkness, gate keepers can be identified by their different colored eyes.

The right eye is Hajime's green, while the red eye represents Izuru's red.

Hajime in Danganronpa 3: The End of Hope's Peak High School's Side:Hope story reveals that he now has mismatched eye colors as a result of the Split-Personality Merge between both Hajime Hinata and Izuru Kamukura at the end of DR2.

Some of them also have pointed ears, like elves.

In Claymore the female warriors are half yoma and half human, with silver eyes and light blonde or even white hair.

At one point Belldandy is temporarily turned into a demon and her blue marks are replaced by red ones to reflect that.

Ah! My Goddess: Goddesses and Demons have respectively blue or red facial markings on their foreheads and cheeks, with different shapes symbolizing their ranks.

Compare Power Tattoo for another meaning of "mark", for when the mark gives some power, and Claimed by the Supernatural for yet another. Supertrope to Occult Blue Eyes, Glowing Eyelights of Undeath, Mystical White Hair, Supernatural Gold Eyes. When such a mark is a disability of some sort, it is Superpower Disability. If an evil entity gives one of these to its adherents, it's likely a Mark of the Beast. If the trait is supposed to denote evilness, it's a Red Right Hand. Related to Distinguishing Mark which is a marking that personally distinguishes someone from others. These traits can be part of a Glamour Failure if they give away a character's true form. This could range from having mismatched eyes, to unusual hair or eye colors, to any other odd features.

MAGICAL EYES SERIES PLUS

* Plus the wings are also kind of a giveaway.Ī unique physical trait a character possesses marks them as being magical or supernatural in some way like being an alien or a shapeshifter. Son plus récent album, "Magic Eye", assemble six études enregistré en août 2013.Those tattoos aren't there because of ink. Son premier album contenant uniquement des morceaux live ("Objects and Electronics") est sorti en 2012 sur l'étiquette de K.A.N.T. En 2011, il se concentre sur l'improvisation, jouant principalement à Montréal, et entreprenant la série de concerts "We are the Drugs" avec Chris Strickland. Il fait de la musique expérimentale depuis 2001-2002.

Sa musique adopte les courts-circuits, les buzzes 50-60Hz, les décalages de courants continus, les interférences électromagnétiques, les interférences de transducteurs, et autres erreurs analogiques peut-être anonymes. Il s'intéresse à l'utilisation des sons typiquement ”indésirables” comme moyen de remettre en question certaines contraintes esthétiques. His most recent album, “Magic Eye”, is a collection of studies recorded in August 2013.Īlain Lefebvre fait du noise expérimental abstrait/concret avec des objets amplifiés et des appareils lo- fi qu'il pousse au-delà de leurs fonctions normales. N.A.G.A.N.O.'s Encodages de l'Oubli label. His first album to contain solely live material, “Objects and Electronics”, was released in 2012 on K.A.N.T.

MAGICAL EYES SERIES SERIES

In 2011, he began concentrating on live improvisation, performing principally in Montreal, as well as curating the concert series “We are the Drugs” with Chris Strickland. He has been making experimental music since 2001-2002. His music embraces short circuits, 50-60Hz hum, DC offset, electromagnetic interference, transducer interference, and other perhaps unnamed analog pariahs. He is interested in using typically unwanted sounds as a means of reconsidering prevailing distinctions between the intrinsically musical and the intrinsically non-musical. Alain Lefebvre makes abstract-concrete experimental noise with amplified objects and lo-fi devices which he pushes beyond their intended use and capabilities.